The seven tracks on L’Orange L’Orange are anything but human sounding. They take their cues from places where the dramatic mind can’t go. Need to take the edge off at the end of your day? Gregg Kowalsky is a fine replacement for a tumbler of bourbon.
Close your eyes, turn out the lights, and listen to Trevor Babb’s “Septet.” Put enough research and complexity behind your music, and you can still appeal to the brain which often seeks only that which is immediately rewarding. Trevor Babb encompasses the best of both worlds, where the music is pleasant to the ears while remaining stimulating to the thinking mind. The universe Babb creates sucks you in, and you’ll have no problem staying with him until Warmth has said all it needs to say.
No matter how mathematically and compositionally sound the record is, it’s still impossibly heavy and pretty, casting its drama in a thick haze of intermittent drums, neo-classical geekdom, and various other idioms of post rock.Mechanics of Dominion is too heady for its own good, but still holds ground as a wonderful combination of influences and post-genre style. It takes time for it to reveal itself, and it’s usually worth the investment.